#strobelite video

[petra-dot-png]

Living the strobe light!

[thecoolerliauditore]

oh yeah since ive already complained about one semi-mainstream thing only i care about today can i just say i am the number one g0rillaz comback noodle design hater what did they do to her. phase 4 teaser adult noodle was so peak and they've gone on a quest to put her in the ugliest possible outfits conceived by humankind since

[t-jfh]

(Nexus Studios)

Gorillaz evoke a stylized 3D-world in the Cracker Island music video.

Band members 2D, Murdoc, Noodle, and Russel of the BRIT and Grammy-winning virtual Gorillaz turned to Nexus Studios to create the psychedelic video for their new track Cracker Island’ ft. Thundercat. Directed by artist and Gorillaz co-creator Jamie Hewlett and Nexus Studio’s Emmy-nominated director, Fx Goby, the live-action/animated hybrid music video takes viewers on a late-night jaunt to the City of Angels.

(Nexus Studios)

In the Cracker Island music video, director Goby draws on his multidisciplinary expertise with 2D and 3D animation as well as live-action.

YouTube video >> Gorillaz - Cracker Island ft. Thundercat (Official Video) (Released 29 July 2022 - 3mins.+39secs.):

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Gorillaz — Riffing on the perils of the metaverse and living online.

Gorillaz: Cracker Island album review – smaller, subtler, and better for it.

Damon Albarn has reined in the excess – though there are still cameos from the likes of Bad Bunny and Stevie Nicks – for a trim album that is one of the band’s best.

By Alexis Petridis

The Guardian - 23 February 2023

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Gorillaz featuring Peven Everett perform Strobelite at WFUV 2017.

YouTube video >> Gorillaz feat. Peven Everett - Strobelite [Live at WFUV] (Recorded 16 April 2017 / 4mins.+37secs.):

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Little Simz covers Gorillaz Feel Good Inc for Triple J - Like A Version.

YouTube music video >> Little Simz covers Gorillaz Feel Good Inc for Triple J - Like A Version (Released 1 August 2019 / 4mins.):

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[bugslaststraw]

I was struck with a powerful vision a few days ago and I *want* to put this in fic form but I wouldn't know where to start finding those spoons so just hear me out okay: what if we straight removed Humanz. No hear me out I don't mean remove the stuff that happened in Humanz, I like what happens in Humanz, I just mean like. I know this couldn't ever have been canon, as the writers are making the story as they go, and I don't blame A&H & co. for the wonk, but the Humanz period of time existing makes the character progression/arcs feel iffy in some areas, and fucks with the pacing, so I still like to entertain this idea, what if Humanz was sort of... integrated elsewhere. This should've been a 15k word fic and I am so so mad that it can't be but here goes

Humanz happens during and after Now Now. Sandwich the two together and you get one longer period of time.

The hiatus is probably also longer, so it takes more time for the band to find their ways back to London.

This is crucial: Murdoc goes directly from Plastic Beach to exiled at sea to eventually jailed, and stays jailed until freemurdoc happens. When he's found floating around in a leaky submarine and taken in for whatever list of petty crimes they've managed to pin him for, he's drunk out of his mind rambling on about how nothing matters, the world's already ended and he's stranded in hell; that is, until someone informs him "if this is about your bandmates, they're fine. They recently went on air saying they're going to start playing again" and he goes "oh........wait without me?" Cue jail time.

I always preferred the idea that Noodle or Russel brought in Ace, mostly because imagine how pissed Murdoc would be about that. Being replaced is like his kryptonite (to be fair he has a lot of kryptonites) and I just find the mental image of him ranting to his cell partner about how they got another green guy so they CLEARLY miss him funny

Things seem to be going well for the New (Now) Gorillaz. They're playing again, a sudden flood of creativity leading them on. They're basically making two albums at once; Humanz, which had a political concept and a vision that was there from the start, and the Now Now, which started out as a sort of b-side that grew to develop its own personality as 2-D especially became enamoured with it. They dithered about which album to put Strobelite in.

Cont. under cut cus long ass post:

The Strobelite music video does happen, minus Murdoc side plot of course. Not sure about Saturn Barz. No I don't care about the stupid meme.

However, Russel and Noodle can't find peace. Originally they think they're alone in that feeling, until they come together to talk about it one night and realize that they both feel on edge and uncomfortable. They can't really figure out why; not being equipped with quite enough emotional intelligence to realize that failed suicide attempts, getting dragged to Hell, almost dying at sea twice, spending years in self imposed exile chasing demons or being stuck in a glass tube for five years might leave you with some mental scarring. Rather than feel warm and welcome, the bright sunlight on LA beach gives them both headaches, and although they try to hide it, and do so very well, they find themselves never quite being able to enjoy their newfound peace.

2-D on the other hand genuinely feels on top of the world. As with regular Now Now he has time to regain his ego during this period, "reset himself and get back on track" after Plastic Beach, as he puts it. He's free now, properly, and revels in it, getting to learn and re-learn new skills, and he writes a lot during this period, proper creativity finally coming back to him.

That's not to say that Murdoc is forgotten; anything but, in fact, Murdoc has gravity, and the rest of the band (and 2-D especially) still subconsciously orbit around his absence. Big difference is; 2-D is aware of it. He knows he can't get rid of Murdoc and he knows, with a light-hearted, almost smug sort of resignation, that he's probably not going to stop forgiving him either. Maybe I'm some kind of a masochist, he thinks to himself. Oh well.

So he takes to taunting Murdoc every chance he gets, like with Humility, for example. Strutting around his absolute freedom from outside the prison walls, asking how does it feel, huh? and almost daring Murdoc to come get at him again, knowing that he can't ("calling the hunter with the rifle; if you're coming back to find me you'd better have good aim.")

This is all obviously sort of subtextual, but it's the vibe I get from Now Now anyway: Memory famously gains rose tinted glasses, so 2-D finds himself thinking back on Plastic Beach more fondly than he knows it should be remembered, almost feeling sorry for his ex-captor. Although he knows that's probably not a healthy mindset to have, it makes him feel really good for some reason, so he indulges in that too, occasionally fantasizing about the day Murdoc's let out of jail and comes back to them, because saying "I forgive you" after all this would be such a power move, wouldn't it? He can hardly wait, yet in a way loves the wait as well, trying to savour the last few moments (years) just before catharsis.

Obviously this all drives Murdoc absolutely up the walls, and his fellow inmates have a fond memory of that one time he threw a fit in the cafeteria about it (eg: that's MY thing he's fucking STEALING MY SIGNATURE MOVES don't be fooled by his stupid innocence-play and pretty face ok this smug piece of SHIT is TAUNTING ME LET ME OUT I NEED TO KILL HIM)

When not raging, he's usually begging Noodle to let him help them make music over the phone. He sends her blocks of lyric/hastily scribbled notes when he can, and wrote most of She's My Collar, which the others picked up, found a guest for, added to, and in 2-D's case practiced obsessively for (implied to be because he knew killing the performance of such a mature song (with his very wholesome, innocent public image, no less) would, again, drive Murdoc nuts.)

Mudz also still tries to pull the whole "I was framed by a demon thing" lie, which none of them believe, for obvious reasons.

Noodle is vaguely aware of 2-D's agenda and angrily side-eyes him every time he comes up with a lyric she finds suspicious, which is more often that he actually means anything by it (eg; the mirrored world lines in Saturn Barz and the like.) She's slowly developing a persistent urge to shake her friend/adoptive brother by the shoulders and shout "STOP GIVING HIM ATTENTION HE FEEDS ON IT LIKE A LEECH. YOU DESERVE BETTER THAN THIS" until he stops.

Noodle and Russel are also still wondering if the guy's possessed by something, and the idea that it might be El Mierda feels logical to them considering his mood.

Ace, not being very close to the rest of the band, picks up on almost none of this; assumes Noodle and Russel are doing fine and that 2-D genuinely hates Murdoc rather than whatever the hell is actually going on. He is never let in on the possession thing and bugs Russel about tripping 2-D up in Humility. He's there to be a little shit and enjoy the good vibes, he says, and that's what he'll do, but there's no need to fight now, is there?

Everything is, apart from that, going just fine. And then Murdoc, at least to the knowledge of the world in general, drowns in a sewer. Which obviously is bound to become a bit of a problem.

More accurately; it grinds everything to a halt. At this point Noodle is already out of England, looking for El Mierda, and finds out when her plane lands and she can call her band. She tries to get ahold of 2-D first, but he doesn't pick up, so she calls Russel, hoping he can help her. They talk a lot that night, over the phone, her sitting bent over the table in an empty cafeteria at the airport.

Russ has known for a day or so at that point, while she's just found out. He tries to explain things to her and sort of distance himself from the conflict as a whole while she's fuming, absolutely livid, because how dare he, how dare Murdoc send her into the mountains on a dangerous mission and then just die in the most ridiculous way possible on top of that? He tells her 2-D's gone very, very quiet since he found out.

They come to the same agreement eventually. "He was such a shithead. Literally not worth being stepped on like a bug and I hate him. And I'm gonna miss him. How fucked up isn't that?"

To Russ and Noodle's knowledge, no more music is really produced at that point.

There's one (to Russel very memorable) instance where Ace makes a misplaced attempt to lighten the mood ("yeah, but, c'mon, the old man was pretty awful, no need to get all teary over someone like that, c'moon let's just get back to what we were doi-") and 2-D breaks his nose over it.

Aside from that, that handful of weeks is slow, silent, and confusing.

On the plane from England to Patagonia, Murdoc listens to Souk Eye exactly once and has since avidly refused to ever do it again and won't explain why.

Cue the ending of freemurdoc, Noodle kicking snow for half an hour to stop herself snapping her awful adoptive father's spine like a toothpick, "you're like a family to me!! You're the daughter, Russel's the son, an' 2-D is uuuhh. The uh. The. House cat," etc etc

When they make the trip back home, a week or so later, the world already knows that Murdoc isn't dead, and so does the rest of the band. Ace dips, stating that he "would rather not be around when ol' Muddy shows back up if you catch my drift."

2-D, who's romantic idea of a triumphant reunion is shattered, is conflicted and nervous up until the point Murdoc shows back up, ("heyyy gang, sorry we're late; I almost drowned in a sewer and the trip back was awful, they didn't even have drinks on the plane, also sorry about lying, hope you don't mind, also here's a yak") when he goes from blank staring to a fit of laughter that makes everybody involved worry for his sanity to "I THOUGHT YOU WERE DEAD YOU PIECE OF SHIT HOW DARE YOU BE SORRY NOW" to the four of them eating takeaway noodles on the floor of their studio in dead silence as Murdoc tries to avoid eye contact and 2-D stares at him as if he's imagining eating him

Humanz is finalized, and Murdoc happily partakes in some of the interviews and promo for the album. Seemingly, everything is normal again. But upon any kind of closer inspection he comes off as almost nervous, jittery, raw and easily upset. Something has changed, and he hasn't caught up yet. There's a tension still among the group.

When Humanz is finally released, they all swear to each other they have no idea where Busted and Blue even came from. Well, three out of four swear, and the fourth just sort of gives them a weird look and mutters something vaguely denying.

And then it transitions directly into Song Machine, which directly deals with the set-up we already have! The power dynamics in the group have changed, everyone is confused on how things work now, Noodle is annoyed with 2-D and how easily he's forgiven Plastic Beach, Russel is resigned about the same, and Murdoc himself tries to claw his way back to the top but can't, as 2-D has finally slipped through his hands to join the others well out of his direct control. And we all know what happens in Song Machine, so I hardly need to recount that

Ok done now :)

[theboywithburninghands]

The Mood of Humanz

And here’s the other Gorillaz album I’ve listened to the most. Same deal as the last one, just sort of felt like… talking about how each song makes me feel. Uh I didn’t include the interludes, since they’re just interludes. I also didn’t include any of the Super Deluxe tracks since I’ve only heard most of those once (except Garage Palace which is awesome) and wouldn’t have a ton to say. Read it or don’t, it’s fine with me.

1: Ascension: The beginning of a climactic party or protest concert. Here to hype you the hell up and make you excited and angry and happy.

2: Strobelite: You walked into a party that’s somehow chill and absolutely bumping at the same time. People are friendly and non-judgmental and the dance floor is open and there’s plenty to eat and drink.

3: Saturnz Barz: Feels like a cool, space themed retro video game that was made by someone from a different country that had an incredibly hard life. You don’t know what they’ve gone through from your place of privilege but you respect the hell out of them and what they’ve managed to do.

4: Momentz: Feels like you met a guy who’s way cooler than you to dance and hang around with at a party. He tells you about a one night stand with a girl, but by the end of the night you feel like he’s actually pretty sad and lonely.

5: Submission: This is a weird one, bear with me. This one feels like you’re in a poly relationship with a girl and a guy. You’re constantly depressed out of nowhere. Your girlfriend is sweet and patient and constantly there to support you, and she’s getting worried about your mental health. The guy doesn’t input much, maybe because he’s busy or he has his own demons, until one night when he just snaps and rants at you about how he can’t come to your pity party every day and you need to do something to help yourself. They’re both helpful and unhelpful in their own way.

6: Charger: This one is another tricky one. I think a YouTube comment I found about it sounding like a scene where a supervillain gets their powers describes it better than I ever could. It definitely sounds dark and menacing, but in, like, an awesome way.

7: Andromeda: Not a whole lot to say about this one. Feels like a big dance around a huge neon planet, maybe with some stars on the ceiling. Definitely a sort of “big finale” feeling to a party, or like the biggest budget dance event.

8: Busted and Blue: This one is easy. A bad depressive episode. Like, lay on your floor and stare at the ceiling while wishing you weren’t born, depressed. Feeling like a waste of skin, an irredeemable piece of scum depressed. Your loved ones secretly hate you and have hated you for years, depressed.

9: Carnival: Feels like a scary and kind of intentionally grotesque theme park. There’s stuff to do and games to play, but the guests around you seem nervous and the entertainers are way too into their job, or keep mumbling about how the system is manipulating you.

10: Let Me Out: Things are bad and they’ve gotten worse. They need to change or there won’t be a future for anyone. Some people are screwed just because they’re not part of the ruling race. It ain’t getting better, but you shouldn’t give up.

11: Sex Murder Party: Feels like the middle of a party (duh) but you spot a really ugly argument going on between a couple. One of them is sky high and acting reckless and the other is sitting in the corner, seething. They might do something crazy. You should probably go somewhere else.

12: She’s My Collar: A snapshot of a really sexually satisfying but unhealthy relationship. It’s not good for you, but it’s what you need right now, so you keep your mouth shut and enjoy it.

13: Hallelujah Money: A rich person you really don’t like is on tv somewhere in public, so you can’t turn the tv off. They’re bragging about another accomplishment they don’t deserve, and you have to listen to them. This song is kind of like peeling back the mask and showing exactly what kind of greed and arrogance this person is vomiting out without the veneer of kindness.

14: We Got The Power: A pretty simple motivational song. Feels sort of artificial, which may or may not be the point.

15: The Apprentice: Kind of like watching someone you used to like become cruel and incredibly pompous when they’re offered a fat paycheck. Reminds me of trash streamers.

16: Halfway to The Halfway House: Feels like a splitting headache that suddenly hits you in the middle of a party, so you have to lay down somewhere and ride it out while you watch people around you have fun and get wasted.

17: Out of Body: You’re not really fitting in at the party, until you find a girl that persuades you to try something different and kinda crazy. Drugs? A real satanic ritual? She’s nice and talks you through it but why are her eyes glowing? You have an incredible time, but she disappears after everything is over.

18: Ticker Tape: Getting home from a party and relaxing by yourself. You don’t feel amazing, but you’re content at least. It’s getting cold so you can see your breath on the way home. Peaceful.

19: Circle of Friendz: Throwing empty beer bottles at a brick wall while you and your friends sit around and do nothing. You guys have been friends for ages and can spend time together and get nothing interesting done and still be satisfying. It’s a waste of time, but a pleasant one.

[nooodlezzz]

I love the Strobelite music video!!!

[decentgarbage]

👗 Noodle :)

OKI!! A platonic/child f/o, This is gonna be fun!!

I absolutely adore her outfit for “DARE”, and also find her phase 3 design cute too (LOVE the cat mask). Also just her outfits from phase 1, unpopular opinion - I find it absolutely cute! I also adore her outfit from the Strobelite music video is so fricking SLAYYY!!! Oh my gosh, she has so much, it’s hard to put em all in one post, but here’s some of my favs :)

my child ^^

[melmordfjordslorn]

@lovleycrowley

Phase Four: We Are Still Humanz (2013–2018)

During the attack of Plastic Beach, Murdoc escaped the island with Cyborg Noodle in a submarine. On his way home to England, Murdoc was captured by EMI, the now-defunct former publisher of Gorillaz' music. EMI had been searching the globe for Murdoc, who they threw in "Dungeon Abbey", a secret prison beneath Abbey Road Studios. Murdoc was eventually released under the condition that he was to immediately begin work on a new Gorillaz album. Murdoc agreed and moved into a new studio/home in West London.

Shortly after the attack on Plastic Beach, Noodle awoke in a small Japanese village and began working as a pearl diver under the apprenticeship of Chiyoko, the women who had nursed her back to health after finding her washed up on the Japanese shore. While working one day, Noodle accidentally released Mazuu, a shape-shifting devil that had spent over 500 years trapped in a large pearl at the bottom of the ocean. Noodle spent years chasing Mazuu, finding it in Tokyo disguised as a human, having risen the criminal underworld. Noodle infiltrated Mazuu's headquarters, decapitated Mazuu, and escaped in one piece. She packaged herself in a FedEx crate and addressed it to "West London, England, c/o Murdoc Niccals".

While escaping Plastic Beach with Noodle, Russell had gotten separated off the coast of Japan. Being mistaken for a whale (due to his unusually large size) he was harpooned but managed to escape. He lost consciousness and washed up on the shores of North Korea, where he was carried to Pyongyang and exhibited as "Pulgasari", North Korea's "Godzilla". Russell became the country's most popular attraction before shrinking back to normal size due to malnutrition, after which he was sent back to London where he moved into Murdoc's home in West London to create a new Gorillaz album.

During the attack of Plastic Beach, 2-D was swallowed whole by "Massive Dick", the whale that terrified him throughout his time spent on the island. Shortly after, Massive Dick died and washed up on the shore of a desert island. 2-D emerged from the whale's carcass and spent months surviving solely off of Massive Dick's dead body, before realizing he was actually on Guadalupe Island off the coast of Mexico. He walked thirty minutes before finding a beach resort and spent the rest of the year there on vacation before finally heading home to England where he was picked up by a driver Murdoc hired and was reunited with the band.

The band recorded throughout 2016 at Studio 13, Murdoc’s secret new studio in London, finally completing their first album in 7 years, Humanz, in 2017. Murdoc decided to release the album by throwing “the party to end all parties” in a haunted house in Detroit known as the “Spirit House”. When the band first arrived at the house in the “Saturnz Barz” music video, they were haunted by three demons. A giant one-eyed blue worm haunted Noodle, a gray multi-limbed monster haunted Russel and a pizza slice with a face haunted 2-D. In the "Strobelite" music video, Noodle and 2-D have fun dancing at the party, while Russel sleeps and Murdoc does shady business with a mysterious man at the bar.

In June 2017 a song/music video called "Sleeping Powder" was discovered in 2D's room in the Gorillaz app. Later the same day, the video was released to the public, and one week later, the song was officially released as a single on digital platforms. 2D recorded the song and music video himself as a response to fans who criticized Humanz for having too many collaborators and not enough of 2D's voice. 2D was able to record the track and video in secret due to Murdoc being placed into a week long coma.

The band went on a world tour, and even created their own festival called the Demon Dayz Festival. The first of which took place in Margate, England in June 2017. Before Gorillaz took the stage at Demon Dayz, a mysterious cult called the “Kool Klown Klan” were spotted holding bells and marching. Little is known about the cult, but they are referenced in the lyrics and imagery of the Humanz song “Momentz”.

In December 2017 the band released their own Magazine called G Magazine. The 34-page magazine features insights from the band on Humanz, editorials from each Gorillaz member, and an interview between the band, and their own co-creator Jamie Hewlett. In February 2018 the band won the Brit Award for Best British Band. While attempting to accept his award, Murdoc was arrested and taken to HM Prison Wormwood Scrubs in London for an undisclosed crime.

[paper--machete]

ok now hit the opposite end and give some Humanz opinionz

very interesting choice....... i shall change two of the categories accordingly

worst song - sex muder party is bad. like i've never seen a song more unanimously agreed upon by fans as being one of the worst songs they've put out. flat production, boring vocals and uninteresting features, overall very phoned in song that felt half finished

favorite song - strobelite. it's probably the only song i still listen to occasionally, i think i'm mainly attached to it cus i looooved peven everett's performance of it when i saw them live in 2017. he just brings a lot of charm to the track :)

least favorite song - momentz bugs me. the hook had potential but when you swap out a potential second verse from de la soul (the first of which is already very strangely executed) with PLASTIC ON THE CEILING pretty much all hope is lost. and why is the ending like that please someone tell me what statement they were trying to make with this album

most overrated song - busted and blue. it feels like this song was written just to check off the "damon sings a sad song all alone" box on the gorillaz album to-do list. i could count on one hand how many fuckin songs on this album don't use that filter effect for his vocals...

most underrated song - carnival. i always felt that it didn't deserve to get shafted by fans; sure it's a humanz song but it's certainly one of the more interesting ones, and the short runtime means it doesn't overstay its welcome at all

lamest of the lame - we got the power is so funny. it sounds like it wants to bad to inspire some change in all the gorillaz fans of the world but it's just so fuckin campy, made campier by jehnny beth's contributions. i remember the first time i listened to humanz i was so excited for it and then when we got the power ended i felt this void in my soul like "that's it?"

other thoughts - there's a lot of problems with humanz. it's bloated with features, the production is flat, its political messaging being so uninspired that it's on par with late-career muse, not to mention the gorillaz characters themselves becoming separate entities from the music and instead just a gimmick to put in their videos and album covers... there's bad albums, but sometimes an album isn't just bad but completely goes against everything an artist is known for. humanz went the extra mile and permanently killed the magic the band had with the original trilogy. their music's still good, but it'll never be the same.

rating - 1/10

[boredmezzosoprano]

Okay I know I’m gonna get hate for saying this - but I don’t care - I ship 2D x Noodle (not when Noodle was a child I didn’t, obviously)💖 Look at the way she’s practically got her arm around him and remember how they were dancing in the Strobelite video!

Not to mention how Noodle’s always looking out for him🫂💙💝

[mudzol]

Murdoc in the strobelite music video makes me laugh so fuckin hard,, like.

He looks like he doesn't want to be there and I love that

[burnlikeme]

Canon Story Content

The below is a cheat sheet for some of the most important and most prominent canon story content for G0r1ll4z- the music videos- intended for use for RP mutuals and fellow 'rillaz RPers! This list is not all-inclusive. I've listed the MVs in release order. If you're in the fandom and notice it needs an edit, drop me a line. There's SO much lost media involved with this band that it is difficult- if not impossible- to get everything together in one place. The exclusion of a few is on purpose as they don't contain relevant story content (in my opinion).

SELF TITLED:

Tomorrow Comes Today (2001) This is the VERY first MV and features the original designs for the band.

Clint Eastwood (2001)

19-2000 (2001)

5/4 (fan project- 2020) completed by fans based on the official storyboards.

Rock The House (2001)

DEMON DAYS:

Rockit (2004)

Feel Good Inc. (2005)

Dare (2005)

Dirty Harry (2005)

El Mañana (2006) the official upload is inexplicably region locked in the US- possibly because of distressing content.

PLASTIC BEACH:

Stylo (2010)

On Melancholy Hill (2010)

Doncamatic (2010)

Rhinestone Eyes (fan project- 2017) completed by a dedicated fan based on the official storyboards.

HIATUS ERA:

DoYaThing (2012)

HUMANZ:

Saturnz Barz (Spirit House) (2017)

Sleeping Powder (2017)

Strobelite (2017)

Garage Palace (2017) technically just a visualizer, but very cool.

THE NOW NOW:

Humility (2018)

Tranz (2018)

SONG MACHINE:

Momentary Bliss (2020)

Désolé (2020)

Aries (2020)

Friday 13th (2020)

PAC-MAN (2020)

Strange Timez (2020)

The Pink Phantom (2020)

The Valley of the Pagans (2020, original version) rockstar games got spicy they used GTA V footage, so this is a mirror upload. the second, edited version is different.

The Lost Chord (2020) this wraps up all threads left over from plastic beach, and also made me cry.

CRACKER ISLAND:

Cracker Island (2022) this takes place chronologically after Silent Running, but serves as a fever dream precursor to the events as relayed later on.

Skinny Ape (2022) not an mv in the traditional sense, but I like to consider this Forever Cult propaganda.

Silent Running (2022)

[bornazombiefrommercury]

is that billie joe armstrong in the strobelite video????

[blurrymango]

The video for Strobelite is silly because 2D and Noodle dancing.

[gatitobladee]

actually i'll elaborate on that! me being normal and not annoying at all under the cut

sr works terribly because it's not really a good music video in general! my issues don't lie in the characters not acting like they do in the extra media like interviews because the majority of their audience doesnt care about that stuff (and its okie👍) they're here for the videoosss. and that's the reason gorillaz is still afloat after 20yrs and many turbulences it's because it's THE animated mv band. and there are several reasons why: 1.theyre visually appealing 2.they're unique/eyecatching/memorable 3.funny 4.theyre fucking made for adultss.

it's an oppossite case to adults complaining about childrens media not being mature enough because as silly as it sounds gz has always included mature content in its art (both in the sense of profanities and also just general maturity on occassion). and i dont have a problem with sr not being edgy enough or whatever. whats bad about it is that its cinematography is soo stupid it leaves no room for question you need to know everything thats going on to the point that there are meaningless slowmos and closeups just for you to notice the perfume bottle because it assumes youre too dumb to do it yourself😭. my second least favorite gorillaz mv is strobelite but at least it has a few blink and you miss it moments and you have to put two and two together (or whatever. i didnt really follow the el mierda storyline). for that reason it's hard for any adult to enjoy it (which wasnt the case b4)

my other issue is the characters animation cuz they kind of move like the sims??it's very over the top and again it feels like they assume the viewer is too dumb to understand that.. noodle is mad or something lol. it almost feels like they would prefer to put dialogue in there.

the worst part is that it leaves no room for the groove for the vibe for the music, you know, how a music video does usually. in sr the story comes first and music second. i dont really have a problem with storytelling mvs but it's not how you do it. for instance stylo is literally just a car chase and it's lore relevant etc. but also it's a fucking CAR CHASE it's so cool to look at it's so energizing. it works on its own with just how nice it looks (or terribly. if you really hate the 3d models) and all of the pb videos work on their own as well even if they were meant to tell a story. because music videos are (or used to be) made with the intention of being a background to the music & being watched many times and not really getting tiring that's why the visuals being Objectively Cool are the most important thing in this particular medium IMO. silent running is just a one-time lore reveal instead im afraid

silent running mv was really bad you guys🙁

[laluma-art]

Are we obsidian?